Movie Review: Dune (2021)

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I have never read the Dune novel, and haven’t seen the 1984 adaption since I was pretty young, so I don’t remember any details and went into this version with no expectations.

A gorgeous looking film that seems to go on forever, just to put to the pieces in position for a potential sequel. Everything looks amazing: the sets, the costumes and the futuristic technology. The cinematography perfectly captures the scope of the landscapes and spacecraft. Flawless effects bring to life everything from alien worlds to massive sandworms. The plot moves quickly at first, whipping us from one kingdom to the next, while introducing half-dozen or so characters from each location. There is a lot to take in, as political maneuverings, cryptic prophecies and Game of Thrones-style intrigue are briefly explained. Surprisingly, after setting up the heroes and villains with their story arcs, things quickly come to a head.  The length of the film becomes apparent as the plot becomes vague, and there’s seems to be an eternity of wandering the desert, only to reach a mild conclusion that feels meaningless if the story ends here.

**1/2 out of *****

TV Review: Titans (Season 3)

**This review contains some spoilers**

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With its third season getting off to a promising start, “Titans” rapidly devolves into a mess of nonsensical plotlines and inconstant characterization. And while the previous season struggled with the large cast, there’s even more characters this time and the show does poor job of keeping them all on the board.

The initial plot of Red Hood setting up shop in Gotham is a flimsy reason to bring in all the Titans, and the twist of making Scarecrow the true big bad falls flat. While he does consistently have the upper hand, it all just feels out of character for one of Batman’s B-list foes to vault to A-list level. Because his masterplan is more about outwitting the Titans, his ultimate goal never feels like an imminent threat. Not only is it too vague for too long, but because it seems to constantly shift into a new plan.

The individual character arcs are all over the place. Dick’s path, complete with Bat-themed hallucinations, seems to be moving him into becoming the next Batman. Instead, he just sticks with being Nightwing. While Starfire’s story has a good payoff, it’s overly-convoluted and filled with her own strange visions that are never really explained. While it’s a bit rushed, her reconciliation with her sister works pretty well, even though Blackfire’s setup as a major villain for this season quickly fizzles out into a redemption arc. Superboy gets his time in the spotlight, but his constant shifts from naivety to cynicism make him hard to like. Gar gets a whole lot of nothing to do this time around, and his storyline from last season where he’s been programmed as a Manchurian-inspired murderer is almost completely ignored. The best they do for him is giving him a bit more control of his shapeshifting, but the payoff is generally weak. Meanwhile, just as Hawk and Dove have one of the strongest moments this season, they’re written off the show. There’s a jarring shift, as after eight episodes, things move from the intense situation in Gotham to suddenly check in with Raven and the late Donna Troy. That storyline is so far-removed from everything else, and given so little time to breathe, it grinds the season to a halt.

As far as the new additions to the show, the strongest of the bunch is Barbara Gordon. Unfortunately, while she’s initially heavily involved in the main story, she ends up just pitching in here and there. As mentioned earlier, Scarecrow has been revamped, and is kind of a mix of the “Batman Begins” version of the character and Hannibal Lector. This turn into a psychologically-scarred super-genius feels more like something we would see from The Riddler, and because we don’t get to see his trademark scarecrow mask, or even much of his fear toxin, it never feels much like the villain he should be. Tim Drake makes a pretty unmemorable appearance early on, before he disappears for most of the season. (Luckily, he resurfaces in time to establish his potential future as a superhero.) And while not a new character, we finally see Jason Todd become Red Hood. It’s a bit rushed, but he quickly establishes himself as a force to be reckoned with…and then he’s not. He shows up as a total badass that can outfight and outsmart his foes, but then he is revealed to be a self-doubting lackey that loses more fights than he wins.

The overall look of the show is fine. The special effects are generally well done, and the costumes continue to improve every season. The design Themyscira looks promising, we just don’t spend enough time there. One of the weaker elements is the fight scenes. It’s usually a lot of kicking and punching, and maybe a quick use of super powers, with no memorable action sequences this season.

“Titans” season three introduces some fan favorite characters, but with too many of them trying to share the spotlight, and a plot that stutters and stops, there’s really nothing too compelling.

** out of *****

Movie Review: No Time to Die

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While working great as a sendoff to Daniel Craig’s era of playing James Bond, a too vaguely-defined threat and a mediocre villain suck the urgency out of this film. (Not to mention the nearly three-hour long runtime.) While I’ve enjoyed the latest era of Bond films, I haven’t revisited any of them since I first watched them, so I was actually pretty lost at the start of this film on who a lot of the main characters were, and presumable anyone trying to watch this without seeing the previous films will feel just as lost. Luckily, the action picks up pretty quickly, and we jump ahead to the main plot. While the plot mostly sticks to the typical Bond formula, it suffers from never really giving the villain any solid motivations or even what his ultimate goal is. (We know he has something extremely dangerous, but it’s never quite spelled out on who will be the target of this doomsday weapon.) While there are some cool action sequences, there’s really none that standout, so the movie is left to fall back on the character arcs. This is where things do shine, as Bond gets some emotional beats to work with, and the main actors deliver with their performances. This allows the film to end on a surprisingly strong note, although I was worried they may try to walk it back and cheapen the moment, but thankfully they didn’t.

**1/2 out of *****